The footage is the easy half
Rushes, screen recordings, stock, AI-generated clips or a library nobody has opened — cut to the formats your campaign actually runs in, graded, mixed and delivered in every ratio and language the plan calls for.
Start a project↗- 01Short-Form & Reels Editing
- 02Long-Form & Brand Films
- 03Colour Grading
- 04Motion Graphics & Titles
- 05Sound Design & Mixing
- 06Multi-Format & Language Versioning
- 9:16 Reels
- 16:9 Broadcast
- 1:1 Feed
- Subtitled Cuts
- Regional Language Dubs
- Cutdowns (6s / 15s / 30s)
- Thumbnails & Stills
- Source Project Files
Video Editing & Post
The things people ask us first
If yours is not here, ask it directly — you will get the same kind of answer.
Ask us somethingWe have footage but no idea what to do with it. Can you work with that?
That is most of this work. Send what you have with a line on what it is meant to achieve, and the first thing back is an honest read on whether there is a cut in there — including when the answer is that there is not enough and a small shoot would cost less than trying to rescue it.
How many versions do we get?
Two rounds of revisions are in the quote, which is where a cut normally lands if the brief was agreed before the edit started. Beyond that it is billed by the hour — not to be difficult, but because unlimited revisions is how an edit ends up worse than it was at round two.
Do you do the ratios and language cuts too?
Yes, and they are priced as part of the job rather than as extras. A 16:9 master that then has to be re-framed for feed and reels by someone else is how a campaign ends up with three cuts that do not look like the same campaign.
Who owns the project files?
You do. Source files and the edit project go with the delivery, so the next cut can be made by anyone — including someone who is not us.